inside voice harvester
organisation of group exhibition at Irene Rose, Melbourne
27th February - 24th March, 2018
Press: Daily Lazy

 

strewn inside-voice harvest

strewn amongst ruins, inside voice, harvest

 

Response unit
 

Tone harvest

Voice harvest

Animals, minerals, vegetables; with ensnared and tacit approval witholding brazen smile, un-nuanced quality-unridden, fullness of mead, crosshatched fruit horn of Plentylife drawing.

staggered falsetto in a silent mind as to the thought of dinner table silence

The contents of a bountiful harvest are strewn in ruins and no words are spoken

inside voice harvester is a selection of works… imprecision, faltering or wavering control system, an intentionality, skill and interiority-self undulate, certain tonal, silent quality; strategem of control and essence of rejection, withholding or refrained, self-imposed limitations


inside voice harvester, installation view, 2018


Kate Meakin
Starry Night, 2018
Roll of jersey, deck chair, replica ‘Ghost Chair’, vintage brass lamp, plastic decoy ducks, LED fairy lights, antique lace


Kate Meakin
Starry Night (detail), 2018


Kate Meakin
Starry Night (detail), 2018


Kate Meakin
Starry Night (detail), 2018

Guy Church
The Great Outside World, 2017
Graphite on paper, 42 x 33cm


inside voice harvester, installation view, 2018

Rebecca Joseph
spectacle in 2 parts, 2018

Stoneware, metal

Tim Bučković

Hrvatski šahovski savez, 2018
Oil on linen, 41 x 25.5 cm  


inside voice harvester, installation view, 2018

Liz Magic Laser
Mine, 2009
Single-channel video, 22 minutes. Produced with the Leonardo da Vinci surgical system

Liz Magic Laser
Mine (excerpt), 2009

Elizabeth Newman
Self-portrait, 2010
Found objects

Elizabeth Newman

1988, 2010
Found objects


inside voice harvester, installation view, 2018

Tim Bučković
surrounding situation with dancers, 2018

Graphite on butcher’s paper, 61 x 49cm


inside voice harvester, installation view, 2018


inside voice harvester, installation view, 2018

Victoria Todorov
Duck l’Orange, 2017
Polyresin duck, engraving, gouache, oil, dried pastel, acrylic paints

Michelle Uckotter
your only visitor, 2017
Oil pastel on panel


inside voice harvester, installation view, 2018

Victoria Todorov
They Prefer A Dunce Than Someone Who Make Moves, Make Us, 2017
Acrylic on canvas

Documentation courtesy of Reuben Bull-Milne